Deleuze and the Fold: A Critical Reader by Sjoerd van Tuinen, Niamh McDonnell

Deleuze and the Fold: A Critical Reader



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Deleuze and the Fold: A Critical Reader Sjoerd van Tuinen, Niamh McDonnell ebook
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Page: 256
ISBN: 0230552870, 9780230552876


The characterisation of baroque architecture as 'Jesuit' leads back to the arch-classicist and style historian Quatremère de Quincy, who, as a disciple of Wincklemann, was highly critical of any art and architecture since the Renaissance. Corner, James, “Representation and Landscape,” in Theory and Landscape Architecture: A Reader (Philadelphia: University of Pennsylvania Press, 1994). Deleuze, Gilles, The Fold: Liebniz and the Baroque (University of Minnesota, 1992). The two-leveled world can also be associated with the realms of the flesh and the soul. Deleuze of course approved of that method in his own projects, but I wonder if he would approve of the baby jesus child that I'm trying to make him have in this paper. Glenn Kirkconnell Kierkegaard on Ethics and Religion: From Either/or to Philosophical Fragments . [2] Gilles Deleuze and Felix Guattari, Anti-Oedipus: [15] See François Zourabichvili, “Six Notes on the Percept (On the Relation Between the Critical and the Clinical),” in Deleuze: A Critical Reader, ed. Carolyn Merchant (New York: Humanity Books, 2008), 365-372. Capra, Fritjof, “Systems Theory and the New Paradigm,” in Key Concepts in Critical Theory: Ecology Second Edition, ed. [1] See Charles Stivale, “Appendix: 'How Do We Recognize Structuralism',” in The Two-Fold Thought of Deleuze and Guattari: Intersections and Animations (New York and London: The Guilford Press, 1998), 263. In Sjoerd van Tuinen & Niamh McDonnell (eds.), Deleuze and the Fold: A Critical Reader. Within Deleuze's baroque 'house', physical matter drags the soul down into the world of the flesh.